Tag Archives: James Simon Mishibinijima

From Far and Wide: Reading Across the Country with PQL for Canada Day!

Posted on July 1, 2020 by Steph

Happy Canada Day, Quill friends! We hope you’re enjoying a relaxing day off under sunny skies, wherever you may be. And if you wanted to add a book to the equation, well, we certainly wouldn’t say no. In celebration of … Continue reading →

Posted in Letters from the Porcupette (the Intern's Blog) | Tagged Bite Me!, Bitter Lake, Bruce McDougall, Bruce Meyer, Casting into Mystery, Christopher Pratt, Clark Blaise, D. G. Jones, Daddy Hall, Daniel Bryant, David Carpenter, Every Minute Is a Suicide, High-Water Mark, James Simon Mishibinijima, jim westergard, Joe Rosenblatt, Karl Kessler, Lori Cayer, Margin of Interest, Marika Deliyannides, Michael Eden Reynolds, Michael Harris, Montreal Stories, Mrs Romanov, Nick Tooke, Nicole Dixon, Overtime, Pictographs, Portraits of Canadian Writers, Rerouted, Robert Reid, shane neilson, Sharon English, Slant Room, Sunshine Chen, The Ballad of Samuel Hewitt, The Bird in the Stillness, The Essential D. G. Jones, The Gamekeeper, Thoughts on Driving to Venus, Tony Miller, Welcome to Canada, Wesley Bates, Zero Gravity | 1 Comment

PQ Weekly Roundup 18 May 2018

Posted on May 18, 2018 by Steph

Every Friday, the PQ Weekly Roundup collects the most shared links in our social media network—bookish articles, reviews, quizzes, recommendations and more—in convenient digest form. We’re pleased and proud to announce that three PQL books have been announced winners in … Continue reading →

Posted in Letters from the Porcupette (the Intern's Blog) | Tagged Barbara Sibbald, Daddy Hall, James Simon Mishibinijima, Pictographs, The Museum of Possibilities, Tony Miller | Leave a comment

PQ Weekly Roundup: 13 Oct 2017

Posted on October 13, 2017 by Steph

Every Friday, the PQ Weekly Roundup collects the most shared links in our social media network—bookish articles, reviews, quizzes, recommendations and more—in convenient digest form. October 10th was World Mental Health Day, a day to recognize the way in which … Continue reading →

Posted in Letters from the Porcupette (the Intern's Blog) | Tagged Alcuin Society, book art, complete physical, Dysphoria, James Simon Mishibinijima, On Shaving Off His Face, Pictographs, shane neilson | Leave a comment

News for October, or, Don’t be a Turkey–Be Grateful for Stories in All Their Forms

Posted on October 3, 2017 by Steph

I’m already thinking ahead to this (Canadian) Thanksgiving weekend—to ham-and-turkey dinners, to heaps of Stove Top stuffing (don’t judge me), to creamy mashed potatoes and to a nice, quaffable rosé (I thought we agreed, no judgement). Even so, Thanksgiving is … Continue reading →

Posted in Letters from the Porcupette (the Intern's Blog) | Tagged Barbara Sibbald, Daddy Hall, George A Walker, James Simon Mishibinijima, Margaret Gracie, Michael Harris, Pictographs, Plastic, The Gamekeeper, The Museum of Possibilities, The Mysterious Death of Tom Thomson, Tony Miller | Leave a comment

PQ Weekly Roundup: 29 Sep 2017

Posted on September 29, 2017 by Steph

Every Friday, the PQ Weekly Roundup collects the most shared links in our social media network—bookish articles, reviews, quizzes, recommendations and more—in convenient digest form. After a fun day at Word on the Street Toronto, we wanted to make … Continue reading →

Posted in Letters from the Porcupette (the Intern's Blog) | Tagged Dypshoria, James Simon Mishibinijima, Pictographs, PQ Weekly, shane neilson | Leave a comment

Spotlight On: James Simon Mishibinijima

Posted on September 19, 2017 by Steph

Today we are pleased to feature Ojibway artist James Simon, also known as Mishibinijima. His book of drawings, Pictographs, is officially in print today—Happy Book Birthday! To learn more about the book, which depicts the myths and legends of his … Continue reading →

Posted in Letters from the Porcupette (the Intern's Blog) | Tagged James Simon, James Simon Mishibinijima, Mishibinijima, Pictographs, Spotlight On | 1 Comment

The Porcupine's Quill would like to acknowledge the support of the Ontario Arts Council and the Canada Council for the Arts for our publishing program. The financial support of the Government of Canada through the Canada Book Fund (CBF) is also gratefully acknowledged.

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