Browse this page for information about P. K. Page, including links to articles, videos and audio interviews.
‘Elegant, rigorous, fresh, P. K. Page’s work sings with a voice of independent character and maenad conjecture. It is a creature that lives on its own terms and terrain. It is startling, authoritative, and anti-sentimental, able to bear cool as well as passionate gazing at our own species. Her poems are always thinking—each line is thinking, while its six senses remain impeccably alert. Her poems live by wit, wisdom, sass, suspense and a muscular lissome synapse and diction. They are daring in scope, meticulous in accomplishment, and boldly moral—with a lovely flavour of amoral verve! We fall under the charm of her reasoning, of her fecund, fastidious imagination, of her many musics, and of her necessariness to us, her essentialness.’
— Griffin Prize citation (for Coal and Roses)
Born in England and brought up on the Canadian prairies, P. K. Page wrote some of the best poems published in Canada over the last five decades. She won the Governor General's Award for poetry in 1957, and was appointed a Companion of the Order of Canada in 1999. She wrote more than a dozen books, including ten volumes of poetry, a novel, several short stories, eight books for children, and two memoirs, entitled Brazilian Journal and Mexican Journal, based on her experiences in Brazil and Mexico as wife to Canadian Ambassador Arthur Irwin. A two-volume edition of Page's collected poems, The Hidden Room, was published in 1997.
In addition to writing, Page painted, under the name P. K. Irwin, mounting one-woman shows in Mexico and Canada. Her work is represented in the permanent collections of the National Gallery of Canada, the Art Gallery of Ontario, and the Victoria Art Gallery, among others.
Page died on the 14th of January, 2010.
In Mexican Journal, P. K. Page recounts her experiences as wife to the Canadian ambassador to Mexico in the early 1960s. Raw, bluntly honest and at times painfully intense, the journal entries expose Page's attempts to overcome troubling phobias and spiritual barrenness. Over time, she discovers colour amid the darkness, immersing herself in Mexican culture, surrealism, and, most importantly, the mystical teachings of Sufism, which would inform her spiritual life for the rest of her career.
The Essential P. K. Page
selected by Arlene Lampert and Théa Gray
‘Facing the fact of Page’s entire oeuvre can be daunting; it contains little apprentice-work, few throwaways. The Essential P. K. Page is in this sense a relief. It’s a reprieve to hold in one’s hand a compact 60 pages featuring the most memorable, most confounding, most rereadable poems written by Page, arranged alphabetically—each allowed its own space, unencumbered by time or category.’
—Anita Lahey, The Malahat Review
Up on the Roof
‘Up on the Roof contains fiction pieces of a variety of lengths, some as short as a few pages, others full-length stories. By turns tart and contemplative, Page's prose fiction is, like her poetry, fascinated with derivations of perspective, and her use of narrative voice gives her plenty of opportunity to explore a particular penchant for plotting characters undergoing transformation.’
—Tanis MacDonald, Malahat Review
A Kind of Fiction
‘These stories—some masterful, some apprentice work, all intriguing—cast new light on the work and times and multi-faceted sensibility of a great poet. In the early stories, the young P. K. Page requires propriety and stupidity and other forms of containment to break their moorings and be seen in surreal air. In her fairy tales and fables and heart-breaking, heart-lifting stories of old age and sexual love and vision, she is (simply, spectacularly) transcendant. She understands beauty, and the barriers, and the way through. There is, by the reckoning of my heart, no better teacher in this world.’
The Hidden Room
‘To immerse oneself in these two handsome volumes (elegantly complemented and informed throughout by the drawings and paintings of her “twin sister, / beautiful as Euclid”, the painter P. K. Irwin) is to plunge into a deep-freighted, breaking wave of swirled delights and parlous undertows. It is, as with all such translucent ramparts of desire and abandon, best met head-on. ’
—Richard Outram, The Ottawa Citizen
Canadian poet P.K. Page reads the poem “Planet Earth” from the collection Planet Earth, published by The Porcupine’s Quill and shortlisted for the 2003 Griffin Poetry Prize. (Credit: Griffin Poetry Prize)
P.K. Page reads from Hologram: A Book of Glosas, Published by Brick Books. Poems read in the video include: “Hologram”, “Autumn”, “Poor Bird”, “In Memoriam”, “Inebriate” and “Planet Earth”. (Credit: Brick Books)
Sandra Djwa talks to Huffington Post about her Governor General’s award-winning biography of P. K. Page, Journey with No Maps.(Credit: Canada Art Channel)
An excellent reference on all things P. K. Page at the University of Toronto’s Canadian Poetry Online. Includes a biography, a bibliography, sample poems and an extensive collection of other useful information.
Poetry Foundation’s website features a short biography of the beloved Canadian poet, as well as a selection of her poetry, articles, a podcast and more.
P. K. Page’s Wikipedia entry is a good source of general information on her life and writing. It features categorized list of her works as well as a list of helpful references and links.
CBC’s obituary for P. K. Page. It contains photos as well as a short description of her life and work.
Browse some of Page’s beautiful artwork in Trent University’s collection. Includes a large selection of images of her paintings, drawings and mixed media artworks, from various stages of her life.
Susanna Hood and Scott Thomson created a record called The Muted Note based on the poetry of P. K. Page. You can also view a short documentary of the work on Vimeo.